Photo

I recently made an order with Bessel in the UK. I needed a few bits, and have been hankering for a boom arm to use for hairlights/overhead light. I do have an Enlichrom Polystand, which is pretty amazing. I use that for my main light though. As much as I love it, I couldn’t ever justify buying a 2nd one. Bessel do a boom they call the Incline Arm Stand. There’s no direct link, it’s in the middle of the stands page at a cheap £49.99 plus VAT. Over 1/4 of the price of the Polystand, albeit with no wheels.

Read More

NewImage

It’s always a nice surprise when someone you’ve been following on Twitter launches an eBook. And even better when it’s with Craft and Vision. Martin Bailey (@martinbailey), who’s just got an all clear from surgery, is obviously getting on with his life. Today marks the launch of ‘Making The Print‘, his ebook on the print process. As one begins to read the book, you might be forgiven for thinking it’s a beginner only book. Martin starts the book really easy, introducing the process of home printing to the new user. It doesn’t end there though and extends all the way into print calibration, large format printing, and even creating, laminating and mounting gallery wrap canvas prints.

NewImage

This 65 page book is beautifully laid out. Martin’s photographs don many of the page backgrounds as well as being visible in the photos of the printing process. They’re simply wonderful and prove Martin the master printer. He breaks the print process down in steps that you take, each one bringing you closer to a great print. From explaining how to preview prints vs monitors, monitor brightness, paper selection, to sharpening your prints, Martin covers the software process to getting good prints in Lightroom, Aperture and Photoshop. Other software choices covered include Perfect Resize from onOne Software and Sharpener Pro from Nik.

Stepping it up, Martin takes use through both monitor and print calibration, and talks about the variety of tools to do it, in every price bracket. He also covers camera calibration, to give you entire control of the colour process right through from capture to print. Soft proofing gets explained in detail for Photoshop (Lightroom 4 Beta’s soft proof gets a mention in-blog posts will fill in the detail).

The final sections of the book cover large format printing, how to make your own gallery wraps, and printing for exhibition. With the gallery wraps, we get a detailed look at cleaning, laminating, stretching mounting canvas. The photos of the laminating process are worth the price of the book for those that have never done it. The final section on printing for exhibition is interesting. I like the advice and will try it myself next time I exhibit.

All in all, the book is well written and surprisingly comprehensive for its size. At less than the cost of a Starbucks coffee, it’s a no brainer for those interested in improving printing at home. In fact Martin even suggests at times that if you don’t want to go through the process, to seek out a lab to work with. That can be worth the price too!

As always with Craft and Vision books, there’s an intro promo. For the next five days only, use the promotional code PRINT4 when you checkout so you can have the PDF version of Making the Print for only $4 OR use the code PRINT20 to get 20% off when you buy 5+ PDF eBooks from the Craft & Vision collection. These codes expire at 11:59pm PST January 21, 2012.

Read More

NewImage

I preordered Art & Soul, photographed by Brian Smith, ages ago. I’ve had it a while and intended on posting about it, but of course, life gets in the way of plans. Anyhow, I’ve really enjoyed both the photography and the messages from the artists and celebrities involved.

I think I first became aware of Brians work through his connection with X-Rite. They’ve a wonderful video of Brian working with Burlesque performers, and I really liked his final photos. You can follow Brian on Twitter as @briansmithphoto or check out his website at http://briansmith.com

Read More

Even though my only Medium Format camera is a film only Mamiya, I still love seeing the work of those better able to afford these quality cameras. One of the features this month is on Perou, whom I first saw on Channel 4′s ‘Dirty Sexy Things’. I thought he was thoroughly obnoxious throughout the series, but I’m pretty sure that’s how the editors wanted it. There’s no question that the final images from the exhibition are stunning, and I enjoyed the series in general.
His portfolio site is equally as enthralling, so I was glad for the excuse to go back and look over it. If you haven’t already seen it, go have a look at the latest Hasselblad Bulletin.

Read More

I simply love the work of Charles Yeh, better known as LUCIMA. As a regular on the front page of Model Mayhem, he’s an easy find, but the work is both wonderful and inspiring. As you can imagine, I was delighted to see him post a video detailing how he retouches. He even use the frequency split methods I’ve linked to before.

L U C I M A | Beauty Retouch Tutorial from Charles LUCIMA on Vimeo.

Make sure you go to the original blog post where he talks about the video itself. You can also view his work on Flickr.

Read More

Being the 3rd November, everyone is waiting with baited breath to see what Canon will be announcing in Hollywood today at 3pm PST.

Lk

Of course this post is actually nothing to do with that, but people probably think it is! Nope.. it’s far more retro than that. I’m a Holga owner, and my first one was bought through the Lomography website. That means I paid over the odds for it, but I did get a nice photo book with it.

Today, they’ve a big announcement about the Lomokino. It’s a hand cranked movie camera that uses 35mm film. Not as 35mm, but rather 144 frames on a 36 shot film roll. There’s also a kit with a KinoScope, that lets you play back the developed film, again a hand cranked device.

Pricewise, you’re looking at €65 for the camera, or €89 for a kit with the camera and KinoScope. Not bad for a little retro movie making.

Read More

While this isn’t a new technique, it’s new to me. Even at that it’s no more than 3 years old. Only been playing with it a while and love it. Basically the steps create 2 new layers, one a blurred layer for low frequency and colour, and the second a linear light layer that contains the images details. Combined together these give you the original image. The benefit is you can fix texture without colour spill and fix colour without destroying texture. It’s much better than my previous method using surface blur skin layer and a soft light high pass texture layer. Gary Hill has more refinements for a touch up layer that allows brushing and healing on the same layer.

Anyhow the original detail can be found on Model Mayhem: Sean Baker on Split Frequencies. He even has an action there. It’s complex initially to understand, but really powerful. There’s more detail in the comments, but you really need to skip past the haters to get it.

Here’s a 1 part video of a 2 parter on it:

Can’t link to part 2 as EMI have blocked it..

Also there’s this version too, based on the original MM post:

Read More

NewImage

I tweeted this yesterday, but it’s worth a post. Former model turned photographer, Ellen von Unwerth’s collectable book Fraulein, now has an affordable imprint. The original hardcover edition, in a clamshell box, signed, with a print is sold out. At £1250 it was a bit steep for most. Even the unsigned version with no print comes in at a sticker shocking £650.

After seeing these prices, the smaller hardcover edition at £44.99 is positively a bargain. While known for her B&W erotica, her colour work is fabulous too. In fact this month alone her work features in a host of top fashion magazines. One of my favorite fashion and design blogs Design scene has a great collection of her work to peruse.

The book is a mix of fashion and fetish in true von Unwerth style. Featuring a host of models and celebrities such as Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and others, it’s a real who’s who of famous ladies.

The preview page for the book on Taschen has a short gallery as well bio, and the book can be bought from there.

Read More

I’m a big fan of Joel Grimes, for quite a number of years in fact. Of course with Matt Kloskowskis book on compositing out, with a lot of stuff similar to Joel, I feel his work is a little overshadowed. Here’s an interview of him by [FRAMED]. It’s a tad under edited, but still a good watch nevertheless.

Read More

Everyone is on the Zacuto band wagon these days, with their finally crafted and almost jeweler like attention to detail and looks. Unfortunately that comes at a price, and for me, I simply couldn’t justify it. Fellow photographer Corin Bishop was raving about his new LCDVF, so I asked where he got it and ordered.

I’ve been familiar with the LCDVF since it was pie in the sky, with nice mockups and post on various forums. I’d put it to the back of my mind, but a recent, very low light, gig led me to reconsider my needing one. Most people get these viewfinders for video, to give a better view of the screen, and to act as an additional point of support. While the support is indeed a boon, I really wanted it so I can manually focus in entirely backlit gigs. Yes I shoot video too, but not seriously, so it wasn’t a prime motivator-but a factor nevertheless.
As part of the Galway Arts Festival, And So I Watch You From Afar played in the Roisin Dubh. Lighting was primarily from the LED parcans at the back and in the end I had to manually focus on moving people, as autofocus simply did not work. Nightmare. I’m sure there’ll be Nikon D3/s users saying it’d be a breeze for them, but I’ve a 5DII and that’s that.

I’ve been playing around with the LCDVF since it came, and I really like it. I’ve used it to do some video work and an ambeint light day shoot. It’s really bright and really clear. So bright that I have compensate in my head for what I’m seeing! Some of the images that looked okay on the screen are underexposed: Usually I can trust the screen without it. As the day was really bright, having the viewfinder made reviewing a breeze.

Verdict: I really like it. While it doesn’t have a diopter like the Zacuto, the magnification is perfect as is focus. Hard to beat for the money.

Read More